Craft Club: Production

Spencer has helped create award-winning campaigns for iconic brands such as General Mills, Burger King, SickKids Hospital, and Nike. His work has won Grand Prix or gold in nearly every international award show, including a Grand Prix at Cannes for his work with McDonald’s. Some other career highlights include a campaign for Egg Farmers of Canada that his father-in-law really enjoys, and a film where a group of business people revere a giant human heart like a God. In his spare time, Spencer enjoys photography and film, which is convenient, because it’s a pretty big part of his day job. He works as an Executive Creative Director at Zulu Alpha Kilo in Toronto.

Brendan Scullion is a Group Creative Director at Rethink Toronto. He's spent over a decade translating what brands want to say into something people need to hear, with a portfolio that spans comedy, sincerity, and spectacle. Despite crafting internationally-awarded creative, platforms, and film for some of North America's most iconic companies, this bio is giving him a surprising amount of trouble. It seems the only thing he isn't comfortable writing is: about himself in the third person.

Michelle Spivak is currently Executive Creative Director at Leo in Toronto. She has extensive experience in production, having led global work for agencies in New York and Toronto for brands like Visa, Nissan, H&M, Godaddy, Scotiabank, Ikea and now TD. She especially loves digging into stories that make people feel the spectrum of emotions that come with the human experience. She loves humour cause it’s the only way to survive it all. She’s especially proud of the awards she’s won in the craft categories, obsessing over all of the details you get to dig into when creating work that comes to life through film.

Over the last 20 years, Alexis has shaped campaigns for some of the world’s most ambitious brands, consistently finding that sweet spot between effectiveness and originality. She brings a clear-eyed intensity to the craft, balanced by the kind of wit that reminds you advertising is supposed to be fun. As Chief Creative Officer at No Fixed Address, she helps steer an agency built on the belief that creativity shouldn’t be confined by geography, convention, or category. The result is work that’s as strategically sharp as it is culturally resonant. Her work has been recognized at all the major international festivals, but more importantly, it’s earned attention where it counts. In the real world, with real audiences.